That’s a title that I never thought I would write.
Anyways, recently I finished up my first Privateer Pres model designed solely for display and not gaming purposes. For this undertaking, I figured I should go big or go home, so I chose the “di Wulfe in Sheep’s Clothing” VIP model from MiniCrate.
To be honest, I wasn’t really jazzed about this model when it was first announced. While I like what Privateer Press is doing with some of their mini-crate models in doing the gender-bending alternate sculpts, I just wasn’t crazy about the idea of a model wearing a sheep onesie based on a mediocre pun. However, once I got the model in the mail, she really grew on me. The sculpt quality is great, with a lot of crisp details and an excellent job on the facial features, and there weren’t a lot of mold lines to clean up. Further, the whimsical nature of the sheep onesie was something that I only began to appreciate once I saw it in person.
Of course, it is well documented that when presented with a studio scheme, my youthful anarchist tendencies tend to come out and I immediately decide to do something else with the model other than following the directions laid out by studio painters. This was no exception; my black sheep tendencies meant that I decided to go with a black sheep instead of a white one, as well as make a lot of the leather bits and straps that comprise the rest of her clothing black and shiny like my Zerkova2 rather than brown or grey.
That said, this article isn’t so much about the painting of the figure, because a lot of the techniques I used on her are things that I have been practicing lately for this purpose, and which I have covered in previous articles. This article is going to be all about that base. Specifically, the display plinth that I had made up for this project.
Quick Safety PSA: My process for this project involved a lot of cutting, filing, and sanding of resin pieces. Resin dust which is produced from these processes is nasty stuff, and you really don’t want it to get into your lungs. We want to be painting miniatures for a while, so make sure to take appropriate precautions for dust control and protecting your lungs.
So, once I decided that I was going to make this a display quality mini on a nice plinth, a couple considerations came to mind. First, I knew I didn’t want to go with a wooden plinth, because I just didn’t think it would go well with the steampunk aesthetic of Warmachine. Second, I started thinking about composition. I knew I didn’t want to just have her standing on a perfectly flat piece of ground, so I wanted some variation in elevation on the top surface. I also wanted to incorporate multiple textures, so I eventually settled on a vision of her standing on a sloping surface with some rock behind her.
Anyways, after browsing the internet for a little while, I settled on a 40mm square plinth from Dark Messiah Bases. These are black resin plinths that come in a variety of sizes and shapes, and have a nice, sleek, modern look which is a great start for a display miniature project, even if you don’t do a lot to them.
Of course, I’m interested in taking it to the next level, so I’m going to do some stuff to it. First, I took my jeweler’s saw and cut away a little piece on the front, just because for this project, I wanted to have it sloping slightly forward. Next, I created the rock formations out of bark chips. After cutting them to size, I drilled into them and pinned them to the base with some brass rod and plenty of gel super glue, just to make sure they would stay on nicely.
Next, it was time for some sculpting. I chose Milliput as my sculpting medium, because (spoiler alert) I knew I was going to do a lot of filing and sanding, and milliput works a lot better for that sort of thing than something like green stuff. I sculpted the slope of the ground in milliput, then added some in areas of the rock face where it needed a little filling out. I also made sure to sculpt outwards from the top of the base a little, because I wanted to carry the flat, vertical surface of the sides of the plinth upwards as though this base is a perfectly square cutout of the surrounding groundwork.
From there, it was a matter of filing and sanding the sides flat. Starting with a big old hand file and progressing to a sanding block with some very fine sandpaper, I took it down to a flat surface.
With the sculpting done, I primed the whole thing black, then used the airbrush to give it a coat of the straight black acrylic hobby paint of my choice. The rationale behind the coat of regular paint over the primer was just in case I needed to do any touch ups at the end; I wanted to make sure the black paint I used for the touchup matched the surrounding area.
After the basic profile of the groundwork was applied, it was time to add some texture to the ground area. Some people glue sand or other grit down, but I like to use textured artist mediums. It’s probably a matter of personal opinion, but I find these to be a lot more convenient than using glue and grit as they are easier to apply and I don’t have to clean loose sand out of my apartment when I’m done. Further, you can mix some cheap craft paint straight into the medium and save yourself a step in painting that sand up.
I applied a quick dark grey basecoat to the rocks, and from there, it’s a matter of applying washes, dry-brushing, and perhaps a hint of dry pigments until you get something you are happy with. I like to give everything a dark wash and then work everything up with browns and greys and tans. Applying some dry pigments in a controlled manner can also help add just that little touch of colour variation to grey rocks and generate a bit of visual interest, which is a trick I touched on before but might write something focusing on it soon.
After attaching the model to the base, we need to add vegetation. This could be a whole article in itself, but throw on a bit of flock, static grass, tufts, and leaves, and you’ll end up with some nice finishing touches on your base.
Finally, I made up a little sign for the front just to take the whimsical, punnish theme home. I started out by cutting out a piece of plastic from a Privateer Press blister pack and doing a little sanding on the edges and roughened up the surface that was going to be the back a little. After priming it white, I took out my airbrush and a few different off-white colours in various shades of bone, ivory, light khaki, etc. I airbrushed a nice smooth base coat with one of them, then followed up with the others, putting a couple drops through the airbrush (with a drop of an appropriate thinner, of course), not bothering to clean out the airbrush between colours and just randomly spraying some patterns on. These slightly different colours are going to be a base for the sort of aged, uneven look that I’m going for with the sign.
Once I was happy with that, I cleaned out the airbrush, turned the pressure way down (into the single-digits), and pulled out some Scale75 Intense Wood ink. Aside from having quite possibly the funniest paint name in my collection (get it? because wood…), this colour, as its name applies, works really well to help create a realistic wood effect. In this case, what I did was drop some of it in my airbrush and shoot it onto the target at a very low pressure, which, similar to a wood stain, went on like a glaze and shifted the colour of the underlying material into a nice woody tone. Again, I wasn’t going for an even coat; I wanted to get some colour variation, so I sprayed it on in a sort of random pattern, varying the amount on any given point to get dark and light spots.
Finally, I shot it the sign with a quick spray of dullcote, as the Scale75 inks dry a little glossy when applied as a glaze. With the shine gone, I used freehand techniques to draw the skull and write on the sign. Here, I wasn’t too concerned with making the lettering perfect; I wanted the sign to have a sort of hand-drawn look as though it might be something spray painted on a wall by a graffiti artist.
From there, we can just glue the sign on and we’re done! With this neat display plinth, I’m looking forward to bringing her out to painting competitions as well as putting her in a place of pride on my shelf.